Columbian Black
Columbian Black
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 PRE COLUMBIAN CLAY POTTERY VESSEL PERUVIAN ANTIQUE BLACK LAMP ARTIFACT RELIC $259.95 Time Remaining: 2d 4h 36m Buy It Now for only: $399.95 |
 Pre Columbian Black Clay Spindle Whorl Bead $28.00 Time Remaining: 14d 5h 22m Buy It Now for only: $28.00 |
 Ancient Pre Columbian MEZCALA Fine Black JADE Celt Axe $600.00 Time Remaining: 12d 2h 46m Buy It Now for only: $600.00 |
 Pre Columbian Black Clay Bead $23.50 Time Remaining: 14d 5h 22m Buy It Now for only: $23.50 |
 Pre Columbian Black Clay Spindle Whorl Bead $20.00 Time Remaining: 14d 5h 22m Buy It Now for only: $20.00 |
 Pre Columbian Peru Cuzco Imperial Inca Carved Black Stone Conopa 15 16th c 2 $490.00 Time Remaining: 20d 7h 22m Buy It Now for only: $490.00 |
 Pre Columbian Black Clay Pendant Bead $23.00 Time Remaining: 15d 8h 31m Buy It Now for only: $23.00 |
 Pre Columbian Black Clay Spindle Whorl Bead $25.00 Time Remaining: 10d 6h 30m Buy It Now for only: $25.00 |
 Pre Columbian MEZCALA Axe Celt Black JADE Artifact $1,200.00 Time Remaining: 11d 12h 42m Buy It Now for only: $1,200.00 |
 Pre Columbian Peruvian black pottery terracotta vessel with 2 figures $998.00 Time Remaining: 1d 8h 38m Buy It Now for only: $998.00 |
 300 500 AD Pre Columbian Mayan Black Clay Bowl $975.00 Time Remaining: 22d 20h 23m Buy It Now for only: $975.00 |
 Pre Columbian Black terracotta Vessel PERUVIAN LAMBAYEQUE NAYLAMP temple $989.00 Time Remaining: 1d 8h 57m Buy It Now for only: $989.00 |
 Pre Columbian Inca Black Stone Ritual Conopa Alpaca $1,750.00 Time Remaining: 16d 3h 16m Buy It Now for only: $1,750.00 |
 Pre Columbian Deity Black Figural Terracotta Vessel 75 tall $899.00 Time Remaining: 1d 8h 48m Buy It Now for only: $899.00 |
 PRE COLUMBIAN MAYAN CEREMONIAL CELT POLISHED BLACK JADE $1,500.00 Time Remaining: 2d 17h 14m Buy It Now for only: $1,500.00 |
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Columbian Home 0707-1 Granite Ware 21-1/2-Quart Steel/Porcelain Water-Bath Canner with Rack
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DescriptionColumbian Home Products 21 QT. Cold Pack Canner With Rack Capacity To Hold Seven Quart Jars Note: Cannot be used on sealed glass top stoves Features
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Bodum 1308-16 Columbia 8-Cup Stainless-Steel Thermal Press Pot
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DescriptionIdeal for home or office, this French press coffeemaker doubles as an insulated thermos so coffee stays hot and fresh for up to two hours. The pot holds 34 ounces (1 liter), nearly seven 5-ounce cups, and can be used for brewing tea as well as coffee. It's made of stainless steel polished to a mirror-finish, has a large, comfortable handle, and is dishwasher-safe. The lid seals in heat remarkably well and turns to prevent heat from escaping through the spout between pours. The pot stands 8-1/2 inches high, including the plunger top. --Fred Brack Features
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Granite Ware 19-Quart Enamel-on-Steel 2-Tier Clam-and-Lobster Steamer
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DescriptionGraniteware has a porcelain enamel surface over a steel core body. The steel core is an excellent heat conductor and gives an even heat distribution for faster cooking times. The glass like enamel surface does not interact with foods and cleans up easily with warm soapy water. 19 quart. Black. 2 piece. Features
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Columbia River Knife and Tool's M21-14SFG Special Forces Big Dog Deep-Bellied Spear Point Knife with Veff Serrated Blade
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Description3.99 in. deep bellied Veff serratedbo black spearpoint blade made from AUS 8 steel with a 5.3 in. black Aluminum handle. Overall length is 9.31 in. Includes two carson flippers AutoLAWKS and a pocket clip. ATTRIBUTES Blade Length (inches): 3.88 Blade Material: 8CR14MoV Lock Style: Liner Lock Features
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Columbia River Knife and Tool M16-10KZ 3-Inch Black Folding Knife
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DescriptionStrong, lightweight Columbia River M16 - 10KZ Knife. Columbia River built the M16-10KZ to be a multi-purpose marvel you'll reach for again and again. That means it not only has the strength to handle a variety of tasks, but also to take the sort of everyday knocks and abuse that would send most knives to the scrap heap, yet still delivers peak performance. AUS-4 high-carbon stainless steel black-coated tanto blade; Rigid but lightweight frame and handle; "Carson Flipper" opens blade fast and doubles as blade guard when open; Smooth and serrated combo cutting edge.; Blade measures 3"l., overall measures 7 1/8"l. Weighs 2 3/10 ozs.; Order today for doorstep delivery! WARNING: You must be 18 or older to purchase Cutlery. Cutlery cannot be shipped to Marin, Napa, Ventura and Yolo counties, CA; D.C.; MA or Puerto Rico. Please check your State, County and City laws for restrictions before ordering Cutlery. Columbia River M16-10KZ Knife Features
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United Cutlery UC8008 United Edge Columbian Sawback Machete, 24-Inch
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DescriptionATTRIBUTES Blade Detail: Plain w/Sawback Blade Length (inches): 18.00 Blade Material: 420 Carry System: Nylon Sheath Handle Material: Injection-Molded Overall Length (inches): 24.00 Features
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Night in Columbia
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DescriptionVARIOS INTERPRETES A NIGHT IN COLOMBIA Features
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I Hear Black
Sale Price: $99.98 |
DescriptionA1 Dreaming In Columbian 4:00 |
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Columbia Pictures Film Noir Classics I (The Big Heat / 5 Against the House / The Lineup / Murder by Contract / The Sniper)
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DescriptionStudio: Sony Pictures Home Ent Release Date: 11/03/2009 Sony/Columbia comes late to the business of boxing classic noirs, but their first foray is a winner. The crisp restorations fairly pop off the screen, and although two titles tower above the other three, every one rates as a must-see. Fritz Lang is represented by perhaps his last great film, and there's a gem from Don Siegel with one of the grabbiest beginnings and most breathtaking action climaxes in thriller history. Phil Karlson, a busy man at Columbia in the '50s, contributes a caper movie set chiefly in Reno, and there's also a creepy, pioneering study of a serial killer, plus a truly offbeat specimen in which minimalist art film and bargain-basement crime movie converge as though the French New Wave were about to roll. The Big Heat (1953) is second only to Scarlet Street as the most corrosive among Fritz Lang's films: honest cop Glenn Ford, in the process of fighting an entrenched Mob and deep-seated corruption, risks becoming a vengeful monster. The source was a novel by William P. McGivern, turned into a steel-trap script by Sydney Boehm. Still, it's director Lang's implacable vision, in terms of both camera and awesome moral symmetry, that makes this American crime story kin to Die Nibelungen. And yes, this is the movie with Lee Marvin as a mobster, Gloria Grahame as his sassy moll, and a legendary interaction involving scalding-hot coffee. As James Ellroy exults in his hilariously profane commentary, Don Siegel's The Lineup (1958) "grabs your gonads in the first five minutes"--actually, a whirlwind first minute-and-three-seconds involving the theft of something from a ship just docked in San Francisco harbor and two abrupt deaths. The pressure eases for a while as The Lineup fulfills its obligation to deliver, in effect, an episode of the police-procedural TV series of the same name. The real Siegel movie resumes as a team of hit men arrive in town to do a day's work. Eli Wallach, in his second big-screen role, is brilliant as Dancer the trigger man, described by his handler Julian (the excellent Robert Keith) as "a wonderfully pure pathological study, a psychopath with no inhibitions." One goose flesh-raising scene follows another until the action peaks at Sutro's museum-cum-skating gallery, a multitiered setting Siegel exploits for maximum tension. The end, right? No, just the launch pad for the finale, the most kinetic car chase the movies have ever done (Bullitt and The French Connection notwithstanding). Shooting on locations all over the City by the Bay, veteran cameraman Hal Mohr rises to every challenge, no sweat. Phil Karlson's 5 Against the House (1955) was the first screenwriting credit for Stirling Silliphant (who also worked on The Lineup), and the aggressively quippy dialogue gets on one's nerves. The premise is a good one, though. Four overage college students--two of them Korean War veterans--elect to spend their holiday break robbing Harold's casino in Reno. The idea is simply to "be first at something"; no one will get hurt and the money will be returned. Except that one member of the team has other plans: good old lovable but volatile Brick (Brian Keith), with that old head wound and a psycho-ward history only his buddy Al (Guy Madison) knows about. As was so often the case, Keith (son of The Lineup's Robert Keith) is the best thing in the movie⦠unless you hold out for the pre-stellar Kim Novak in frosty black-and-white. As Al's singer girlfriend, she completes the titular five--albeit at the expense of having to smooch with Guy Madison, who kisses like an angry robot. There's no kissing for The Sniper (1952), one of the strongest of independent producer Stanley Kramer's early efforts. A foreword explains that this is the "story of a man whose enemy was womankind," and the title character, a pleasant-looking but effectively anonymous nebbish (Arthur Franz), is soon expressing that enmity through his high-powered rifle. The script by Harry Brown lays on the hostile gender dynamics with a trowel, and a psychiatrist (Richard Kiley) files an indictment of society for having failed to provide proper treatment for the killer before it was too late ("It's our fault"). Director Edward Dmytryk makes dynamic use of steep, drop-away perspectives in San Francisco to suggest a world seriously out of joint. Murder by Contract (1958) features another sort of murderer entirely, a young man named Claude (Vince Edwards) who makes a very good living as a killer for hire. Trained not to feel anything, and assured that a stranger killing a stranger is unlikely to get caught, he goes about his business dispassionately. He could almost be in a Robert Bresson film, moving through a world of Antonioni-like bleakness; deaths occur offscreen. The production resources don't even reach B-movie levels, and that's fine: a dime more might have jeopardized this picture's eerie spell. Irving Lerner directed, and Perry Botkin's electric-guitar score sounds like something that, a year or two later, would have adorned a film by Louis Malle. Only two films are accorded running commentary, well worth the listen in each case. Native San Franciscan and noir empire builder Eddie Muller provides the inside dope on The Sniper, then brings in hard-guy novelist James Ellroy to savor The Lineup; that one's a party. Directors who've patrolled neo-noir territory--Martin Scorsese, Michael Mann, and Christopher Nolan--supply intros. Scorsese's are the best, but as usual, there are spoilers galore and viewers are well advised to watch the movie, then the intro. --Richard T. Jameson |
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Folgers 100% Colombian Ground Coffee, Distinctively Rich, Medium Dark Roast, 27.8-Ounce Packages (Pack of 3)
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DescriptionTry Folgers Gourmet Selections Lively Colombian For A Rich, Full-Bodied Flavor You'll Love. Find It With The Gourmet Coffees. Start your day with Folgers Breakfast Blend coffee, a soothingly smooth, mild roast. Features
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