Roman Fire

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Description

22 inch picnic forks for roasting Weinies or Marshmellows.red, green, blue and yellow.

Features

• Pack Of 8 Marshmallow Forks
• Colorful Retro Wood Handles
• 22 inch Overall Length
• Perfect For Get Togethers Around The Firepit

Sale Price: $34.99

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Description

Rome Tripod with Grill. Quick disconnect feature allows instant connect and disconnect of all accessories. Grill adjuster allows you to start cooking immediately over an open fire. No need to wait for flames to die down! 9 lbs. Order Today! Rome Tripod with Grill

Features

• Grill Adjusts Up To 24 inch
• 21.5 inch Diameter Grill Grate
• Chrome Plated Steel Grill
• Breaks Down For Easy Storage

Sale Price: $39.99

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Description

The first Nativity was enacted in an Italian village in the 13th Century. The House of Fontanini has continues the tradition by creating the magnificent Heirloom Nativities, enlisting Northern Italy's finest artisans. Since 1908, the House of Fontanini has created magnificent old-world sculptures treased by collectors and revered by worshippers all over the world.Today, Emanuele, Luca, Marco, and Stefano Fontanini are the forth generation to leat the celebrated House of Fontanini in the village of Bagni di Lucca, Italy, where it was founded over a century ago. For many years, the Fontanini Heirloom Nativity has been sought-after and prized for its lifelike sculpting, meticulous hand painting and attention to detail.

Features

• Part of the 5" Collection
• Made In Italy
• Produced from a special polymer that will not chip or break
• Includes story card explaining that characters place in Bethelem
• Retired, No Longer In Production, 2004 Limited Edition

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Description

Although it featured songs by Debbie Harry, Lou Reed, Iggy Pop, Cheap Trick, and Earth, Wind & Fire, Rock and Rule (Canada, 1983) never received a general US release. Set in a post-apocalyptic world inhabited by mutants, the underdeveloped story centers on the rock star Mok and his efforts to summon a demon from another dimension. Only the voice of aspiring singer Angel can cross the dimensional barrier and free the monster. Mok pursues Angel through series of chases and concerts that produce complications involving her true love/singing partner Omar and his band. Clive Smith's direction is simply inept: the story plods along listlessly; the characters change motivation on a dime; the crude CG special effects are squandered in minor scenes, rather than used to punch up the climax. Rock and Rule reflects the confusion of the animation industry in the early '80s. Yellow Submarine and Fritz the Cat had proved there was an audience for hip, edgy animated features. But nobody could make a good one, and a series of bombs caused animation to be labeled box-office poison. More than 20 years later, Rock and Rule holds a curiosity value for fans of old rock, but it's not a memorable film. (Rated PG: violence, grotesque imagery, brief nudity, alcohol, drug, and tobacco use) --Charles Solomon

In this acclaimed, animated rock and roll feature, Angel, a member of a punk rock band in the apocalyptic future, is kidnapped by Mok, a legendary super rocker. Obsessed with an evil experiment, Mok plans to use Angel s voice to summon a demon from another dimension. The rest of the band follow Mok to Nuke York in an attempt to rescue her and then the ultimate battle of good vs. evil begins.

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Description

First time on CD, as part of the UK new wave renaissance series, 24-bit remastered Japanese reissue of 1983 album, features 11 tracks. BMG. 2004.

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Sale Price: $29.99

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Description

Victoria Barkley heads her adult brood on the Barkley Ranch in California's San Joaquin Valley, near Stockton, in the 1870s. Heath is the illegitimate son of Victoria's husband Tom (who is dead at the time of the series). Bank robbers, horse thieves, revolutionaries and land grabbers keep the Barkley's hopping.

In EXPLOSION parts 1 & 2(Season 3, Episodes 10 and 11, first broadcast Nov 20 & 27, 1967), the Barkley Boys risk life and limb to transport a shaky batch of nitro-glycerin to battle a raging forest fire that threatens to totally wipe out the population of two cities. Join the Barkley family as they ignite your screen with classic western drama and excitement in this feature-length episode of The Big Valley EXPLOSION! (90 min, color)

Sale Price: $119.80

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Sale Price: $7.40

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List Price: $39.95
Sale Price: $23.57
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Description

Director Jules Dassin's powerful, noir-flavored prison drama stars Burt Lancaster as an embittered inmate who launches a desperate breakout scheme with his cellblockmates and Hume Cronyn as a power-crazed guard who revels in brutalizing the prisoners. Script by Richard Brooks; with Charles Bickford, Sam Levene, Ann Blyth, Howard Duff (his film debut). 98 min. Standard; Soundtrack: English Dolby Digital mono; Subtitles: English; audio commentary; interview; photo gallery; theatrical trailer.

Jules Dassin's brooding, brutal drama about a prison wound to the breaking point by a sadistic captain of the guards is a classic film noir as well as one of the greatest prison films ever made. Burt Lancaster (in only his third film but already commanding the screen like a pro) is the savvy prison veteran whose clashes with Hume Cronyn (the ambitious guard with a god complex) land him first in solitary then in the claustrophobic drain pipe, a muddy, airless work detail that slowly kills every man assigned to it. With the help of his cellmate buddies and former gangland boss Charles Bickford he hatches a plan to break out, but Cronyn has his own plans for the unbreakable prisoner. Dassin's oppressive prison is thick with atmosphere: cavernous buildings and halls that echo with the footsteps of inmates and the clanking of bars, overcrowded cells that seem to close in on the men, a busy machine shop where the film's most memorable scene takes place--the ruthless assassination of a stoolie in a pounding metal press. Cinematographer William Daniels, a master of Hollywood's soft-focus glamour, creates a harsh, hard-edged look for the film, softened only by looming shadows. A sense of doom hovers over everything, culminating in an explosive finale, but the barbaric, brutish violence hangs in the air long after the film is over. --Sean Axmaker On the DVD Criterion's beautiful restored print of Brute Force is accompanied by a small collection of supporting materials, including a commentary track by longtime film noir experts Alain Silver and James Ursini. They give a good brief on the film's history, such as the disagreements between producer Mark Hellinger and director Jules Dassin on the subject of the movie's use of flashbacks--an approach that would break the claustrophobia of the prison sequences and introduce female characters. Hellinger wanted the backstory, Dassin objected, and the producer won; but the point is definitely arguable. Prison-movie specialist Paul Mason gives a useful 15-minute talk, partly on Brute Force and partly on the genre of prison movies. Criterion's booklet has an excellent essay by critic Michael Atkinson, a vintage 1947 profile of the colorful columnist-turned-producer Hellinger, and an intriguing, bitter exchange of letters between Hellinger and Production Code chief Joseph Breen on the subject of the film's censorship problems. --Robert Horton